KUMAMOTO – lyric, English interpretation

A good friend of mine, Senri Oe had composed a precious tune called “KUMAMOTO” in the wake of the recent Kumamoto Earthquake. I was lucky enough to be a part of this very personal yet meaningful project. The remarkable things about this song are that this is a pure message driven by his compassion, it is not sold in stores, it is solely owned by him and managed by him. It was published thru social media outlets from the late night of Sunday 4/17 in NY time, and the song has started to spread quickly over the internet. One of radio stations in Japan heard the song and reached out to us with a full of respects if they can air in their programs. Senri and I both agreed to air. I think it worked out because they understood how this song was started, where this song stands, and why it needs to be sent out.

The other day I was invited to Senri’s regular gig at Tomi, and sang a couple of Japanese songs including this KUMAMOTO. Because there were some non-Japanese speakers expected to be in the room, I quickly have translated the lyric into English and read it before we play. I thought it might be a good idea to put up on my blog so that I won’t misplace it in a paper pile on my messy desk nor lose in cyber space (very possible…).

KUMAMOTO

Even though we are apart
you are in my heart
No matter how far apart
forever and ever (in my heart)

Can’t see anything now
The darkness is too deep
But please don’t let my hand go
Hold (my hand) tight

To you, to you, goes out to you
Go my heart, go
The morning will come
It will come

People care about people
People embrace people
(That’s how) we stay strong

To you, to you, goes out to you
Go my heart, go
The morning will come
It will come
It will come
It will come

Note: All rights reserved. This is “line by line” translation as my interpretation of the lyric. It is obviously not a set of lyric that you can sing over it!

KUMAMOTO / SENRI OE featuring MAMIKO TAIRA @PND RECORDS peaceneverdie.com from Senri Oe on Vimeo.

the week of 4/11 thru 4/17: KUMAMOTO

先ごろ起きた熊本地震で被災された皆様に心よりお見舞い申し上げます。

被災者の中には、家族や親類を亡くされた方もいらっしゃいますし、
また救援、救済活動をされている人々の中にも被災された方がいらっしゃいます。
近しい方々が九州にいて、心配している方々も大勢います。
日本のみなさんのことを思うと心が痛みますし、
災害が起きる度に、遠く離れた自分にいったい何ができるのか
と、考えさせられます。

皆さんが安心して生活を営める、そんな日が一日も早く訪れるよう
心よりお祈りいたしております。

Kumamoto(クマモト)by SENRI OE

KUMAMOTO / SENRI OE featuring MAMIKO TAIRA @PND RECORDS peaceneverdie.com from Senri Oe on Vimeo.


ひょっとしたら、今年に入って一番忙しい一週間だったんではないか、
と思うぐらい忙しい週だったもんだから、一応書き留めておこうかと思う。

月曜日は鍼に行った。
鍼から帰って、木曜日のイベントの準備を始める。

火曜日は、息抜きにご飯を食べに外出。
独り飯、全然大丈夫なワタシ、というか、結構楽しめてしまう。
帰宅後、引き続き木曜日のイベントの準備を。

水曜日は、Lanza’sで高免くんとデュオ。
とても楽しかったし、何かが見えた気がして
デュオで演奏することにして良かったと思った。
(んだけど、高免くんはどう思ったんだろう?)

と、ここまでは、普通に忙しい週だった。

一夜明けて木曜日は、熊本で起きた地震ニュースで始まった。
奇しくもこの日は千里さんの東北震災に因んだ「里山」のイベントの日。
東北のこと、そして熊本のことを思いながら「いい日旅立ち」と「手のひらを太陽に」を歌った。
お客様やスタッフのみなさんに温かく迎えて頂く。有難い限り。

金曜日はつかの間のダウンタイム。
ワイン片手に家で土曜日のギグの準備。
YouTubeで見る日本のニュースのストリーミング。
色々な意味でイライラする。
ふとした瞬間に、ワインをデスクの上で倒してしまい、
二杯目を飲む気が一気に失せた。

土曜日は、B Flatでトリオのライブ。
お世話になるのは二度目。大輔くんと脇さん、めがねコンビ。
お二人共、なんだか気分がすーっとする、爽やかな音。
ラーメン部らしく、脇さんはB Flatのとんこつラーメンを終演後に食していた。
ラーメンはおやつby yoshi waki、は健在。

日曜日は、寝て過ごす、、、予定だったのだが、10時半過ぎに千里さんから電話。
熊本のための曲が上がったので、なるべく早い段階で仕上げたいということだった。
彼の言う「早い段階」は経験上、間違いなく「その日のうち」。

昼ごろから、例によって例の如く
メールと電話を駆使して準備を進め、夕方から千里邸へ宅録しに。
地震で被災されたみなさんへの千里さんの気持ちがぎゅっと詰まった
ストレートで、飾り気のない言葉とメロディー。未だ誰もうたっていない歌だ。

録音後に、色々と編集作業をし、ソーシャルメディアにアップロード。
一連の作業の後だというのに、大江社長を台所に立たせご飯を作らせてしまう。
炊き立てのご飯の誘惑は恐ろしい。おかわりをしてしまった。

Kumamoto Japan Earthquake Relief Fund

Happy Relaunch! MP3 download : and it begins (2012)

Good news! My first album, "and it begins" (originally released in 2012) is now available in MP3 from today. I just…

Posted by Mamiko Taira (平 麻美子) on Friday, January 15, 2016

See you at Lanza’s on Wednesday, January 20!

On Wed, January 15, my first album, “and it begins” released back in 2012
will relaunch, and go on sale through online retailers like Amazon, iTunes, etc.
Amazon has already put up pre-order link. If you are interested, please! please!
I don’t think iTunes is ready yet, but will update when I find it!

[Amazon.com Pre-order]
https://amzn.com/B019PIP098

Now, my first 2016 gig is coming up right after album relaunch.
Please join me, Toru and Steve at Lanza’s on Wednesday, January 20.
I would love to have you with us to celebrate the post-album relaunch
and my birthday (few days early!).
Lanza’s serves a wonderful Italian dishes and we serve you the music.

lanzas 20JAN2016 2.3MB

… and one more!
Enjoy the clip from the last Japan tour 🙂

or you can enjoy all of my current videos via YouTube Play List 🙂

https://www.youtube.com/playlist?list=PLQp87oCKSdRhkLX8kZVvoOXQHcpgSQN8j

On Green Dolphin Street (new video clip)

On Green Dolphin Street/ Mamiko 5
recorded live on 10/16/2015 at SOMETIME, Kichijoji

Mamiko Taira (vocal)
Jun Furuya (piano)
Daiki Yasukagawa (bass)
Ryo Shibata (drums)
Akihiro Yoshimoto (sax)


Special thanks to LOST Production Tokyo & Sometime Kichijoji
10月の東京でのライブから。2セット目のオープニングです。

Cross Promotion: Heart’s Calling X AUMEO (English version)

Hi, everybody. Thank you so much for your support for my new CD, Heart’s Calling since the release date, June 17. After receiving critique’s reviews and your warm, supportive feedback, I finally started to feel the realty: my baby is out in the world! I sincerely thank each one of you who picked up my album!

Heart's Calling X AUMEO

Heart’s Calling X AUMEO

Hunting Gadgets in Crowdfunding Websites

Crowdfung is becoming an useful business matchmaking platform between inventors/business developers and investors in various level from individual to institutional. It’s getting popular in Japan lately, and is something familiar among musicians, too. I personally enjoy looking at new tech gadgets through sites like INDIEGOGO or KICKSTARTER as shopping sites.

The other day, I was browsing the INDIEGOGO site, and by accident (or by fate?) I found this thing called AUMEO, a portable headphone amplifier. AUMEO is being used paired up with an audio application called AUMEO PLAYER which does a quick ear test to find the most comfortable listening condition based on our hearing sensitivities through checking each ear. Not like existing application that works as equalizer, AUMEO goes one step deeper – optimizing our hearing sound based what each ear can hear. I was totally knocked out by this idea on hearing optimization (or personalization) , and decided to support this AUMEO project as one of funders. Then, an interesting thing came along: Paul Lee, CEO of Aumeo Audio, and I were connected. (How amazing is that?)

Listening to “Heart’s Calling” with AUMEO PLAYER

Because of participating to AUMEO campaign, I was lucky enough to virtually meet Paul Lee of Aumeo Audio. He was kind enough to offer me and one of my fellow bandmate, Miki Hirose to try out AUMEO PLAYER beta. So we have decided to listen to my new album, Heart’s Calling on AUMEO PLAYER and talk about the first impression of this application!

alfie fall 2014MAMIKO TAIRA (VOCAL)
Mamiko is a New York based Japanese jazz vocalist who’s often referred as “she’s the kind musicians love to play with and audiences love to appreciate” (James McBride, writer). Her voice lingers, and her distinctive musical style reaches beyond jazz listeners. Her 2nd album, “Heart’s Calling” was released on June 17, 2015 from D-neo (Daikimusica) and is available worldwide. She kicks off Japan Tour Fall 2015 from Tokyo stating on October 9.

Mamiko Taira’s “Heart’s Calling” is now available through Amazon Japan and PND Records (ships worldwide).

Amazon Japan  http://www.amazon.co.jp/dp/B00XBEV6TG/
PND Records  http://ow.ly/OSgvx

10265591_10204040569244596_221144337832002809_oMIKI HIROSE (TRUMPETER, COMPOSER, ARRANGER)
Miki is a young, talented Japanese trumpeter from Kobe who plays a key role in Mamiko’s music. In a recent release, “Heart’s Calling,” he has done fantastic arrangements on Detour Ahead, Suddenly It’s Spring, Falling In Love With Love. His leader album, “SCRATCH” is an another great jazz CD to enjoy his wonderful music. Please check out.

Taira (“T”): Hi, Miki. Thank you so much for all of your hard work at the recording back in December.

Hirose (“H”): Thank you for the great experience and opportunity! Lake Yamanaka was something, wasn’t it?

T: It was! Air was clean, and…

H: Mt. Fuji in the morning!

T: Mt Fuji right by the window!

H: It was “WOW.”

T: OK. Let’s get to AUMEO. Have you tried it? What do you think of the idea to optimize the sound based on your own ear’s audibility and listening environment?

H: I think it is worthy and appreciative to be able to adjust the sound by each listening environment.

T: Do you have anything specific to talk about?

H: While traveling by train, for example, bass frequencies get cut. This may be a good, potential solution to fill in that “cut frequency.”

T: Indeed. The noise level at NYC subways is undeniably loud, and the bass sounds are sacrificed significantly. I tend to pump up the volume when I ride subways or even just waiting for the subway to come. Suppose my average volume setting while in subways is level 8, I can be OK with level 5 or lower* when the music is played on AUMEO PLAYER. I feel so sorry for my ears! (*vary bet. individuals)

T: Anyhow… which tracks did you listen to?

H: Two albums. One is “Heart’s Calling,” and the other is “Milestones” by Miles Davis.

T: I also have listened to my “Heart’s Calling,” and I picked your “SCRATCH” CD. Maybe it’s a good time to ask since we are talking about my album…. You have done arrangements on 3 songs on this recording. Do you have any story to share?

H: It was a good opportunity to reexamine the relation between the lyric and melody. The drama within the melodies used to be a major focus when I work on arranging, but this project made me aware of the drama driven by melodies and lyrics. That was a new discovery to me.

T: That sounds fantastic and positive.

H: For example, Detour Ahead. That song is one of my favorite song, and I am familiar through listening to some vocalist’s track. It was pretty natural to me to depict the drama through lyrics and melody. That song was finished pretty quick.

T: I think Detour Ahead was tastefully done, and am hoping our listeners like it, too. OK. Let’s go back to AUMEO. So do you find any difference between AUMEO PLAYER and a default audio player on your iPhone when you listened to Detour Ahead and other tracks?

H: I felt each instrument sounded clear and increased the sense of depth. Like…. I can hear the note that I want to hear effortlessly.

T: I felt that I can feel ambiance and depth better with AUMEO PLAYER, and pretty impressed about it.

H: I had tried some other high-res audio player in the past, and it made me tired because I can hear too much. It was weird feel.

T: I think I know what you mean. To hear clear crisp sound isn’t necessarily always the best in terms of listening to the music. Analog applications like good old-fashioned records sound better – particularly when we seek warmer sounds – as an example.

H: It’s only one day since I started to use AUMEO PLAYER. I would love to continue using it to check how that affects my listening (and find if this makes me tired or not.)

T: By the way, I’m purely excited about just thinking of using AUMEO amp and AUMEO PLAYER together. It doesn’t directly relate to the sound, but I also like the sleek design of casing. (see the picture. Can’t help it… It’s really simple and sophisticated!)

H: My current pair of ear buds is not a top notch pair (compared to those high-end ear buds or a headphone), so definitely I’m interested in trying out AUMEO. By the way, it was a pure surprise how much this AUMEO PLAYER alone can change the sound of my OK-quality ear buds!

T: Once you said that it is eye-opening observing today’s technology and its advancement in general. Do you see any impact on us, who create music?

H: Ever since iPod, iPhone and all other MP3 players became the main stream of audio equipment, some people are mourning about the compressed sound of MP3. However, witnessing how much the audio technologies are advancing everyday by people in the field, we, musicians have to keep up with making a good music!

T: I agree. If people can listen to the music in better listening environment, that alone can help, for example, to convey what our engineers have done on mixes and master tracks. That definitely encourages me to make music with love, care, and respect!

T: Miki, thank you so much for taking your time to try out AUMEO. Lastly but not least…. I am not sure the actual timing of it, but I am already thinking of my third album…. and will ask you to be part of it for sure. Yoroshiku Onegai Itashimasu!

H: That is flattering. I will try my best again for the next album!

AUMEO INDIEGOGOIt’s a well-known fact that everybody hears differently. So why not have your favorite tunes custom-fitted to your ears’ unique hearing? Aumeo, the world’s first tailored audio device, unlocks your best hearing potential by taking audio personalization to a whole new level. By tuning music to your audio profile, this portable device lets you enjoy fuller, richer sound while protecting your ears. Its stylish aluminum chassis designed by Italian design Andrea Ponti is a great plus as well. Check it out today!

This Wed, 6/24 : MAMIKO 3 at Lanza’s

flyer 06242015 Lanzas

I’m getting more and more excited as the date gets closer thinking about upcoming Wednesday’s gig at Lanza’s with Toru and Steve. Simply we haven’t played together quite a while, and I missed them so much! It will be a fun evening – I guarantee.

To give you a heads-up, I will bring my new album, Heart’s Calling. (I have even set up my Square credit card reader, and now can accept both cash and credit card for your payment. How about that?)

Now, here are some background of Wednesday performance that you might be curious to know:

This performance is a part of “Wednesday Jazz Dinner” series curated by Ms. Yuko Ito and presented by Lanza’s. MAMIKO 3 will be the 3rd program they are putting together. It’s a casual dinner show consists of music and dinner in one package, $29.95. This covers music, 1 appetizer, 1 entree, and 1 drink. (I just stopped by the other day, and had a meal there. You are going to have a hearty, Italian meal and your choice of beverage – wine, beer or champagne. I couldn’t finish my entree and ended up taking home!)

dinner sample

Lanza’s is a small Italian restaurant nestles in East Village with a rich history of Manhattan and Italian immigrants. The place was established back in 1904 and is renowned for one of the oldest restaurants in Manhattan. They serve authentic Italian-American classic dishes in Southern Italian flair. If you are one of those flick fans or Woody Allen fanatics, Lanza’s is a featured location in the movie, “Manhattan Murder Mystery.” (check out #4 in this site.)

BTW… mozzarella cheese was served in a perfect room temperature, the way it should be served. It’s always nice to be able to invite you when the music and food are both tasty – you know what I mean? See you on Wednesday, the 24th!

Wednesday, June 24
JAZZ DINNER at LANZA’S (East Village)
168 First Avenue, New York, NY 10009

1st set: 8:30-9:30PM
2nd set: 10:00-11:00PM

Mamiko Taira (vocal)
Toru Dodo (keyboard)
Steve Whipple (bass)

$29.95 includes Music cover and Pre-fix (1 “generous” drink, 1 appetizer, 1 entree)

Special Note from Lanza’s:
Lanza’s appreciates your patronage, and accepts credit cards for the table bill over $45.

久しぶりにMAMIKO 3のライブのお知らせ

flyer 06242015 Lanzas

久しぶりに、百々さんとスティーブ君の3人で演奏します。
イーストビレッジのカジュアル・イタリアンのお店の
ジャズ・ディナーのライブです。

ディナーショーなんて呼んでしまうと、ちょっと畏まってしまいそうですが
とてもカジュアルな雰囲気なのでご心配なきよう。
皆様のお越しを心よりお待ち申し上げております!

こういう機会を下さった関係者さまに感謝、
そして、一緒に演奏してくれる仲間にも感謝です。


さて。じわじわとアルバムの発売日が迫ってきてます
ここのところ連続でアルバムを聴き直してるんですけど、
もう直ぐお店に並ぶと思うとソワソワしちゃいます。
お店でピックアップされる方も、
郵便で受け取られる方も、是非、買ったよーっていう写真、FBやらTwitterにアップして
ワタシを安心させて下さい(笑)。いや、大真面目な話です、これはっ!
だって、発売日は疎か発売月に日本にいられないワタシですから、
例えばお店周りをしてチェック、なんてこともできないんですもん。
皆様の写真やリアクションは、本当に有り難いんです。


あと、ご購入になられたお店のサイトなどで
是非、レビューも書いて頂けたらとても嬉しいです。
みなさんの書いたレビューを読んだ方が、
もしかしたらプチッとアルバムを買って下さるかもしれないし、
ジャズに興味を持ってくれるかもしれないですもの!
ということで、宜しくお願いいたします。

heatscalling_jacket

『Heart’s Calling』のタイトルとジャケットの話

予約、始まりましたねー。
今日現在で、アマゾンジャパンディスクユニオン
タワーレコードの店舗、オンラインの両方、
そしてレコードショップ芽瑠璃堂、そしてHMVで予約を受けて頂けるようです。

昨今、ジャズの新譜を在庫として置くお店がどんどん減ってますね。
お店にふらっと行って新譜を多数揃えているお店というのは、
都内だったらディスクユニオン、タワレコ、山野楽器銀座、、、でしょう。
ですので、発売日のタイミングだけでなく、ジャズアーティストの新譜は基本的に
美味しいものをお取り寄せで注文するようなスタンスでいた方が
心構えとしては良いんじゃないかな、って思います。
(例えが食べ物ってのも何ですが、でも正にそういう感覚です!)
みなさま、宜しければ行きつけのCDショップ、オンラインショップに
是非、予約を一本入れて確実にCDをお手元に!

アルバムと言えば、パッケージ!
ジャケットも大変よいフィードバックを皆様からいただいております。
どうもありがとうございます。
アルバムのデザインの版下って言えばいいんでしょうか?
それを先日、PDFで頂きまして。
なんか、こう、、、invitingな空気があるっていうか、
涼しげな色なのに、温かみがある、そんな素敵なパッケージになりそうです。
(あまりにボキャブラリーが少ない?)
デザイナーの北川さんに感謝です。どうもありがとうございます。

Heart’s Callingというのは、心から欲するもの、
そんな感じの意味に近いものです。
そこには、例えば、その欲するものにたどり着くまでに
自分の心に耳を傾けるっていうような部分も行動として含まれてくると思うし、
例えば見方を変えれば、天性なんていう解釈も成り立ちます。
とっても面白い言い回しで、訳をつけづらいというか、訳をつけるより、
そのまま言葉のイメージ通りに受け取ったほうが理解しやすかったりします。
ジャケットの赤い風船は、赤い風船の歌が入ってるからっていうのも勿論ありますし、
曲目リストを見なくても、何よりも先に赤い風船という楽曲が連想されるぐらい
パワフルなものです。

風船を写真に使うアイディアは、フォトグラファーからの提案の一つで、
他にも色々なカットは撮りましたが、最終的には、
風船のLiteralな歌とのリンク(即、ストレートに訴える部分)と、
タイトルのHeart(心)をSymbolizeするもの(時間差で思考に伝わる部分)との
二重の意味を含ませることができると思い、あの写真をジャケットに採用するに至りました。
それぞれの楽曲の主人公が、心から欲しているものは皆違いますが、
歌詞を紐解いていく際に、この歌の主人公が欲しているもの(こと)は
いったい何だろう?と追っていくのも面白い聴き方だと思います。

今回もプロモーションの一環で、サンプル視聴用に二種類用意してみました。
音の中身は一緒です。視聴環境に合わせてお選び下さい。

Here are a teaser track of my new album in
youtube (with photos) and soundcloud (a simple soundtrack).

Enjoy!

写真付きバージョン(youtube)

Photos by Go Nakamura


音源のみのバージョン(soundcloud)

3 new video clips (Day By Day, All Of Me, I Can’t Give You Anything But Love)

3連ちゃん、どわーっと参ります。
Special thanks to Mr. T.Y./FBs

Day By Day


I Can’t Give You Anything But Love


All Of Me


そして、ちょっと先になりますが5月のライブのご案内。

    Thursday, May 8
    “TangFest” Spring 2014

    Hosted by p9 Studio

    MAMIKO 3

    6:30 PM Door/ 7PM Start (1 Set Only!)
    Free Admission

    Mamiko Taira (vocal)
    Toru Dodo (key)
    Steve Whipple (bass)

    p9 Studio
    115 River Rd., Building 8, Edgewater, NJ

TangFest Spring 2014